Tuesday, 14 December 2010
Final Music Video Analysis.
This music video is for the R&B band Jodeci. It is a purely performance type music video and is very conventional of both the R&B genre as well as the individual music video genre. It is mainly conventional because it features a large number of close ups of the band members to promote image as well as the band members being dressed up fashionably for the time.
Starting with the mis-en-scene it is immediately conventional of a music video from this genre of music. The clothes worn by the singers connote a sense of success and wealth as well as being fashionable and good looking towards the opposite gender. There are frequent shots showing the band members sunglasses, chains and hats up close.
The camera work used throughout mainly consists of close up shots of the band members, again meeting the conventions of a music video as well as Goodwins theory that record labels will demand lots of close ups of the band. This is to promote band image by showing many close ups of them either on their own or the whole group looking good, fashionable and iconic. The majority of the other shots are mainly mid shots of the crowds surrounding the band while they perform. There are also frequent close ups used to show happy members of the audience. This is because the common theme throughout the video is enjoyment and happiness.
The setting can also be considered conventional of the R&B genre. Showing the band performing live on the streets and in neighbourhoods for their audience. What could be considered unconventional is the fact that the location never really changes during the video. Most performance element music videos will consist of multiple locations where the band performs. However in this video the band only performs in the same city, changing streets and neighbourhoods a few times as the bus drives slowly along with the crowds that follow.
An interesting element used in the editing process was that the whole video was changed to being in black and white. This is quite unconventional of the music video genre. There could be a number of reasons why this effect was chosen some to do with the overall theme of the video. Black and white film can connote something is classic and that is what the band members may have considered themselves. Each shot changes by a quick, simple straight cut to keep the pace of the video and also a feeling of reality.
There is no artificial lighting use in the filming stage however in the editing phases the brightness may of been increased. However the filming date has been specifically chosen on a bright, sunny day to match the feeling and tone of the song. This is because the song is deemed as a happy song this is evident when looking at the message the music video sends. The lighting used during the daytime scenes connotes that it is summer time which also matches the feeling of the song as it is often the season people are at their most happiest. When day switches to night towards the end of the video, their is extra light placed on the band by flood lights. This is so they are the most visible thing in shot and once again the main focus of the audience during the video.
There are no artificial symbolic elements used in the video. Instead there are people used as symbolic elements. During the video there are close ups of all different varieties of people to connote that everyone is getting along and represent a feeling of equality and happiness. There are shots of children, teenages, adults and elderly people. Shots of people from all different ethnicities as well as all different sizes of people. This is to keep with the theme of the video and match the lyrics of the song which again matches goodwins theory.
The overall theme of the video is that music is something that can bring everyone together no matter what differences they may have.
Sunday, 5 December 2010
Website Research
First Shot List in Chronological Order
Shot List
Close up of Radio on ground- jump cut to 0.00
Mid shot of radio- guitarist jumps into shot 0.09
Wide shot of band playing intro 0.11
Close up of Drums 0.16
Close up of Rhythm Guitar 0.20
Wide Shot of band 0.23
Close up of Singer 0.28
Close up of Bass 0.33
Wide shot from behind 0.36
Low angle shot of lead guitar 0.42
Chorus
Pan on audience 0.44
Live footage 0.46
Slow mo footage 1.07
Verse
Close up of guitar for slide into next verse 1.10
Wide shot showing new location 1.11
Close up of lead guitar and singer (panning camera) 1.14
Two shot of bass and guitar 1.17
Over the shoulder shot of drummer (tracking round back) 1.19
High angle shot of whole band 1.22
Pre show footage (slo mo) 1.25
Close up of singer 1.29
Double close up of both guitars (split screen) 1.31
Chorus
Live performance 1.34
Slo mo close ups of all members 1.55
Jools Holland (Instrumental)
Drums close up, one hit from one side, one from another 2.05
Wide shot of everyone 2.06
Wide shot different location 2.09
Wide shot live 2.12
Close up of crowd 2.15
Close up of singer 2.17
Double shot of two guitars 2.19
Split screen drum and bass 2.21
Wide shot (every one jump in time) 2.24
Solo
(2.35 stills)
Chorus
Live Footage 2.47
Hand held camera turning off radio 3.13
Fade to black
After show footage with small credit and actual sound.
As you can see, we still have not decided on any shots for the solo. This is a guitar solo that we want to look like your classic conventional solos in a music video. I have linked some inspirations for what we would like: Estranged by Guns n Roses http://www.youtube.com/watch?v=dpmAY059TTY
If you skip to 8.05 when the main guitar solo is playing, Slash is totally isolated in a crazy location where the sea is orange, and he emerges from the water. There are loads of close ups and a lot of panning shots and zooms. There is a lot of focus on the guitar as he plays it, he also stands in his signature pose. One of the main techniques that I hope to use in our video are the long shots that look very epic and match the size of the solo that is being played.
This video by The Darkness also has a guitar solo where the guitarist stands on a rock while the rest of the band play below him. This video also uses close ups and long shots to give the solo more of an epic feeling. http://www.youtube.com/watch?v=YGPyUSVtpZM
We decided to use footage of the end of the live performance footage that we are using with the actual audio. This would be the final shot of the video and would make it seem as if the audience watching the video was actually at the live show. (A similar effect as the Oasis video The Hindu Times, that I previously analysed.)
Second Text Analysis.
This music video is for the song "This DJ" by the rapper, Warren G in 1994.The music video is mainly a performance orientated video. However there is a small narrative to it and also some small thematic and symbolic elements. The majority and bulk of the video is made up of Warren G performing his song. The chorus almost always has Warren rapping it. The narrative occurs through out the verses. It shows the story of a child growing up in an urban area. The first verse shows a young child who is out with his friends with his bike. The second verse shows that child then as a teenager with his friends. The final chorus shows that teenager as an adult, who turns out to be Warren G, the songs writer and performer. Through out the narrative side of the song, Warren G is seen rapping and performing the song. This is usually done by green screen rather then having Warren G standing with the characters in the narrative. However he does too stand with them, as the final line of the first verse shows, where the child is biking home and Warren is standing by a lamp post. However for the majority of the narrative he is not standing with the characters to add realistic effect.
Shots including the star of the song are largely common. This makes it a conventional music video as it includes a performance and many close ups and mid shots of the performer.
There are a few locations in the video and one recurring one. The narrative mainly takes place in Long Beach, California. Where Warren G is from, it is usually in the day time. The performance sides to it and the chorus is always in an inner city area. Warren G usually performs on the streets. This is to match the theme to the video of growing up on the streets. One recurring place is underneath a street light. The establishing shot starts here and the song ends here with Warren G getting into his car during the final chorus. Other then that, there is a mix of alley ways, paths, corners, streets and roads used as locations, again sticking to the theme of the song being on the streets.
The lighting matches the narrative. For example during the day time as an adult or child, it is bright outside and sunny. There is no artificial light used, this is done to give a realistic effect as there is no strange lighting. At night, it is very under lit outside and the streets are only lit up by street lights. This is to show the inner city at night as dark and gloomy which sticks to the theme of the song of being on the streets.
The establishing shot shows two different dissolves used as a transition. The first dissolve changes the children with their bikes standing on the sidewalk to teenagers, the second changes those teenagers to adults with cars. This transition is used to show a change in time. This is different to other dissolve transitions because the location stays the same. The most common editing technique used in the video is the use of the wipe effect as a transition. Often the wipe effect is used by making Warren G rapping wipe across the screen and change the last background to a new location. An example of this is in 0:31 where Warren wipes across screen and then changes the location to a park bench where he then starts to perform again. The wipe effect is used as a transition from the narrative to the performance element and from the performance element to the narrative. In the first 19 seconds, Warren is seen walking his dog through the park, while children run past him which is used as a wipe effect. This is an example of how the narrative element of the video is used as a wipe to change to the performance element. Another editing technique which is used frequently in the video is the use of green screen effects. Throughout the video Warren is seen rapping over something in the background, be it narrative or performance. This is so there can be plenty of shots of Warren to promote his image and therefore meet the conventions of a music video. More commonly in the video, Warren is seen rapping over the narrative side to the video, using a green screen effect, rather then standing in shot.
The music video does have symbolic and thematic elements. It is conventional of its genre to feature run down inner city streets as a performance location including graffiti covered walls and under lit alleyways. The mis-en-scene through out does not show overly expensive jewellery and good looking women which is unconventional of the songs genre, however the theme of this song being about being a child growing up on the streets may provide enough reason to show more poorer situations then successful or wealthy scenarios. It also could be to the fact that this is a sub genre of rap and that this genre does not have similar conventions. There is however the use of a good car through out the song being symbolic of the rappers now wealthy lifestyle as opposed to the van shown in his teen ages.
Overall meets the conventions of both a music video and of the genre of music. Provides a running theme through out of growing up and has a moral of how the rapper hasn't changed and has grown up on the streets of Long Beach, California.